Kin_about_quote

equal metrics = unequal counters

unequal metrics = optically equal counters

equal metrics = unequal counters

unequal metrics = optically equal counters

equal metrics = unequal counters

unequal metrics = optically equal counters

equal metrics = unequal counters

unequal metrics = optically equal counters

equal metrics

= unequal counters,

unequal metrics

= optically equal

counters

  • Academy: Royal Academy of Art in The Hague (KABK)
  • Programme: Type and Media (2014)
  • Project: Final
  • Led by: Erik van Blokland, Peter Verheul, Peter Biľak            and Paul van der Laan
  • The guest critics: Jo De Baerdemaeker, Frederik Berlaen, Liz Bijl, Frank Grießhammer, Luc(as) de Groot, Akira Kobayashi, Kristyan Sarkis, Christian Schwartz
  • Assignment: Design an original typeface family.
  • Academy: Royal Academy of Art in The Hague (KABK)
  • Programme: Type and Media (2014)
  • Project: Final
  • Led by: Erik van Blokland, Peter Verheul, Peter Biľak, and Paul van der Laan
  • The guest critics: Jo De Baerdemaeker, Frederik Berlaen, Liz Bijl, Frank Grießhammer, Luc(as) de Groot, Akira Kobayashi, Kristyan Sarkis, Christian Schwartz
  • Assignment: Design an original typeface family.
  • Academy: Royal Academy of Art in The Hague (KABK)
  • Programme: Type and Media (2014)
  • Project: Final
  • Led by: Erik van Blokland, Peter Verheul, Peter Biľak  and Paul van der Laan
  • The guest critics: Jo De Baerdemaeker, Frederik Berlaen, Liz Bijl, Frank Grießhammer, Luc(as) de Groot, Akira Kobayashi, Kristyan Sarkis, Christian Schwartz
  • Assignment: Design an original typeface family.
  • Academy: Royal Academy of Art in The Hague (KABK)
  • Programme: Type and Media (2014)
  • Project: Final
  • Led by: Erik van Blokland, Peter Verheul, Peter Biľak, and Paul van der Laan
  • The guest critics: Jo De Baerdemaeker, Frederik Berlaen, Liz Bijl, Frank Grießhammer, Luc(as) de Groot, Akira Kobayashi, Kristyan Sarkis, Christian Schwartz
  • Assignment: Design an original typeface family.
  • Academy: Royal Academy of Art in The Hague (KABK)
  • Programme: Type and Media (2014)
  • Project: Final
  • Led by: Erik van Blokland, Peter Verheul, Peter Biľak and Paul van der Laan
  • The guest critics: Jo De Baerdemaeker, Frederik Berlaen, Liz Bijl, Frank Grießhammer, Luc(as) de Groot, Akira Kobayashi, Kristyan Sarkis, Christian Schwartz
  • Assignment: Design an original typeface family.

Kin is an unconventional serif type family which explores distinctive styles while maintaining consistency. The main goal of this project was to design a complex family system intended for editorial design especially for bilingual settings with two slightly different text type versions supplemented by an expressive and vivid headline type. Kin contains also phonetic support. The big challenge is to apply this contrast system to some non-latin scripts as well.

Kin is an unconventional serif type family which explores distinctive styles while maintaining consistency. The main goal of this project was to design a complex family system intended for editorial design especially for bilingual settings with two slightly different text type versions supplemented by an expressive and vivid headline type. Kin contains also phonetic support. The big challenge is to apply this contrast system to some non-latin scripts as well.

Kin is an unconventional serif type family which explores distinctive styles while maintaining consistency. The main goal of this project was to design a complex family system intended for editorial design especially for bilingual settings with two slightly different text type versions supplemented by an expressive and vivid headline type. Kin contains also phonetic support. The big challenge is to apply this contrast system to some non-latin scripts as well.

Kin is an unconventional serif type family which explores distinctive styles while maintaining consistency. The main goal of this project was to design a complex family system intended for editorial design especially for bilingual settings with two slightly different text type versions supplemented by an expressive and vivid headline type. Kin contains also phonetic support. The big challenge is to apply this contrast system to some non-latin scripts as well.

Kin is an unconventional serif type family which explores distinctive styles while maintaining consistency. The main goal of this project was to design a complex family system intended for editorial design especially for bilingual settings with two slightly different text type versions supplemented by an expressive and vivid headline type. Kin contains also phonetic support. The big challenge is to apply this contrast system to some non-latin scripts as well.

Kin_about_02

© 2018 by Sláva Jevčinová

© 2018 by Sláva Jevčinová

© 2018 by Sláva Jevčinová

© 2018 by Sláva Jevčinová